40280.
Killing the Snake. Thomas Moran at left, his brother Edward Moran at right. Case with artist’s paints in foreground.
Killing the Snake. Thomas Moran at left, his brother Edward Moran at right. Case with artist’s paints in foreground.
Image showing the photographer’s name at the bottom of the pedestal in the image above: J.W. Moulton.
Soldier shining his shoe while his foot is on a camera without a lens. Rifle barrel can be seen just behind him. His pack is on the ground in background and a sword hilt can be seen. Another man stands at the side pouring a drink. At the bottom of the pedestal is a partially seen trademark design and name of J.W. Moulton, indicating that this is Moulton’s Massachusetts studio.
Photographer holding lens cap and pencil or tinting instrument with daguerreian camera on stand and cases and what looks like a tinting kit along with other items on table by his side.
Hockanum Ferry Boat (wood burning). The traveling photo wagon of Houghton and Knowlton sits on the boat.
Rural photograph studio. Two men sit out front. The man on the left has one leg. He holds a wooden crutch and balanced on his knee is a photo printing frame.
Seated man in photo studio. Skylight above, reflector at left, head clamp at right, scenic backdrop behind.
Man, possibly the photographer, seated in studio with daguerreotype camera on tripod at right, painted backdrop at left.
Splendid Lifesize Stereoscopic Views of the War. Horrors & carnage of the Battle Field…..Prisons & Rebel Places & Scenery &c. Possibly Mt. Morris, NY.
Paying Election Bet. In front of the studio of E.L. Clement, Commercial Photographer, Chicago.
2807. You know how ’tis yourself. (?) This is John A. Mathers floating darkroom, Oil Creek, Pa.
37. Fairfield Avenue, from Park Avenue, looking West, Bridgeport CT. Photographer’s wagon at left: “Pictures of Every Kind Copied and Enlarged.”
Tintype of man with stereoviewer, views in his lap, being tickled by a man from behind the curtain.